Jay Oneil: Forging a Universal Sound from Bahamian Roots
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Jay Oneil: Forging a Universal Sound from Bahamian Roots

What sparked your interest in pursuing a career in music, and what was your journey to becoming a musician or band like?

Well, I came from a family of musicians on my father’s side that were kind of a big thing back in my hometown of Nassau, Bahamas. They had a group called “The Johnson Brothers,” which included my father and my uncles. So I knew it came from somewhere, but it wasn’t until a friend of my mother, whose name is Charon Penn, who also made music, put the mic in my hand and told me to try a freestyle to an instrumental while recording. I believe this was around the age of maybe 8, 9, or 10, but he played it back for me, and I fell in love with it ever since. So I would always do freestyles here and there in school and would practice writing rhymes from time to time and recording myself on my phone during my younger years, but it wasn’t until I graduated high school that I said, 'Hey, I really want to pursue this.' But coming from The Bahamas, that isn’t a career choice that people would commonly find success in—in fact, rarely—because we have no real music industry/lane to follow. So it wasn’t easy, but I kept going and pushing because I want and hope to be that lane for others one day.

Who are some of the musicians or musical acts that have had the most significant impact on your work and your sound?

Wow, this is a good question because I have so many artists that I’ve gained inspiration from because I study so many genres of music. But to name a few of my most influential artists, I’ll start with Bob Marley, Sizzla, Buju Banton & Richie Spice (reggae); Vybz Kartel, Alkaline & Dexta Daps (dancehall); 50 Cent, Jadakiss, T.I. & Ludacris (rap); Migos, Lil Baby, Lil Durk (hip-hop); Usher & Chris Brown (RnB). But overall, I would have to say the artist that influenced me the most would be Young Thug because he showed me that music is truly art and you shouldn’t be afraid to sound different and that you don’t box yourself into one genre.

Can you describe the progression of your musical style and what sets it apart from others in the industry?

I’d like to call my musical style universal, passionate, uplifting, energetic, but most importantly, true to myself. And what sets me apart is because I always try to be different in my flows, the beats I use, and the notes I try to hit in my songs. Also, I try to make sure my songs don’t sound repetitive.

Could you elaborate on the backstory and significance of your artist name?

When I first started making music, I actually used a few names, which were J-Lyric, Bea$tmode Jo, and J.O. But to go back to when I said I try to stay true to myself, I just came up with the decision to sound out the first letter of my name and to spell out my full middle. I just felt it was the real me, but also, I think it’s catchy. So that’s why I officially went by the name of ‘Jay Oneil’.

How do you typically approach the songwriting process, and what role does collaboration play in your work?

I feel as though the way I create my songs is that I go either off the mood I’m in or the vibe of the instrumental when creating a new song. I like to become one with the beat to ensure a smooth flow of the song. Collaboration, I can honestly say, plays a small role in my work because I’ve been focusing, building, and perfecting my own craft to ensure I can be able to stand on my own work of art/portfolio. But all in all, I love making genuine connections with fellow artists. When making music, it isn’t really about the money for me; it’s about helping each other to reach higher levels and go further in our careers. I always like to say I look at the bigger picture of things and what we can build a legacy together off the art we create.

Can you share with us a particularly meaningful or personal song in your discography, and what inspired it?

This is definitely a personal one for me because I have a song named “Long Live Runks” for my cousin Reynard “Runks” Henfield that passed away on January 30th, 2020—a day I try not to remember. He died due to a long battle with diabetes that came with a journey of complications. But the reason that song means so much to me is because he meant a lot to me as a person, friend, and family. We were the same age and practically grew up together from birth. That was truly my best friend. I have a line in the song that says, “You couldn’t follow your dreams, so you were praying for mine,” which meant a lot to me and is a major part of why I still do this. He knew how much I loved music, and he wanted nothing more than for me to be as big as we always imagined from when we were kids. He was truly my number one support. I even have “Long Live Runks” tatted on my face because I wanted anyone who I come across to know that he is still with me and will forever be with me, and as long as I live, his name will live on.

https://www.youtube.com/watch?v=ms_gKJ69uo

Could you discuss the evolution of your live shows and performances, and what you aim to convey through them?

Well, it’s actually kind of funny, but people don’t believe me when I say that I don’t get nervous when performing. I don’t know if it was because I grew up always involved in plays or some kind of stage activity when I was younger, but I always said to myself, 'This is what you want to do, and performing is a part of it,' so that always helped me to get rid of jitters, I guess. When I perform, I like to go based off the event because, as I may have previously stated, I make music in many different genres. So I always try to appeal to my crowd and make sure they enjoy my songs the same way I enjoy performing them, and ultimately, I would hope in turn that they grasp them, stay tuned, and always more.

Can you recall any memorable or unique experiences you have had while touring or performing?

Yeah, there was a time when I was in Freeport, Grand Bahama, which is another island in The Bahamas, and I was asked to perform for the first time there when I guess I was just making my way up as an upcoming artist locally. And the way the crowd reacted to songs I’m pretty sure they never even heard because they barely even knew who I was, but the reaction was amazing. When I was done, people wanted to take pictures, follow me on my social apps, as well as music platforms. And in those moments is when I knew this was for me and also gave me a nudge that this is my purpose in life, because where I’m from, Bahamians are one of the toughest crowds if you are already popular. That was definitely a defining moment in my music career.

Could you share any exciting new projects or collaborations you have in the works?

Yes, I’m currently working on a secret EP called “6ix Nights” that I want to drop sometime in December, with a few Canadian artists. I’m in a new environment, so I thought it would only make sense to get back in my creative bag and start fresh with new experiences.

Spotify: JayOniel

YouTube:@JayOniel

TikTok: @jayoniel242

Apple Music:

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Editor's Note
This article mentions Reynard “Runks” Henfield, who passed away on January 30th, 2020.

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